Every once in a while, I take a deep dive back into a favorite artist/band's pool of work. Last summer, it was David Bowie and The Smith/Morrissey. The resurgent interest in two of my all time favorites was due to meeting a bloke from London.
He spent much of last year traveling the world (46 flights in 2005!). We met on the internet, and agreed to meet up despite him thinking I was a bit rude... which perhaps I was :) ... trying to remember the reasons why... perhaps I was not taking our online chat all too seriously and trying to be playful... In any case, we met up later that afternoon at the starbucks down the street... I was feelin' a bit cocky, knowing that he would be surprised that I was actually a nice guy (hmmm, arrogant assumption of one's niceness... an oxymoron? or just arrogance...)... anyhu, we ended up sharing a somewhat frantic but meaningful 24 hours together before he departed for Dubai. I have to admit I was touched by his youthful energy and enthusiasm, and his forthright feelings and sincerity, despite the minimal time we had actually spent together.
The highlight of our hanging out together was the eventual discovery or our mutual love of David Bowie and Morrissey. We watched several Bowie videos that I hadn't previously paid much attention to, such as "Be My Wife." It was quite lovely (and painful) scrutinizing Bowie at his ultimate low, smacked out on heroin and looking skeletal thin. We eventually moved on to Morrissey, and sang "Suedehead" at the top of our lungs. The block from London had a lovely singing voice, as he had spent many years as a recording artist. And if there is anything I can actually sing, I can sing Morrissey (or at least I'd like to think).
I have been listening to Tori Amos all day today. It all began when
mikey pointed me to her 80's cornflake cereal commercial for
Kellogg's 'Just Right' Cereal. Apparently she beat out Sarah Jessica Parker for the role, tho its quite silly that her talent was of no real use in the spot. She references this commercial experience in one of her most brilliant songs, "Cornflake Girl":
"Never was a cornflake girl/thought that was a good solution/hangin with the raisin girls." (Take another good listen to the piano break-down near the end!)
It got me thinking again about how many references in her songs go over my head. But when I do figure them out (or read about them online :), it is ultimately very rewarding. I remember back in college when I went to a midnight sale for the release of her third album "Boys for Pele." I was such a tori-phile! After bustling back to my dorm room and listening through the album, I felt a bit lost, thinking...
"wow, she's really lost it, I have no idea what she is rambling about..." But over the next several weeks, I began to just enjoy the dark emotional state of the album... and that was all I needed to understand. To this day, its still a challenging album - a lot of the lyrics remain a mystery to me. But I appreciate more than ever how raw the album sounds, and its place in her evolution as an artist, and the chapter the songs represent in her personal life.